"Pleasure boat" of Xitang |
Still contemplating our options, the next day we took the metro to Hangshen Road (in the French Concession), supposedly the Champs Elysées of Shanghai but really a kind of residential 8th arrondissement. The streets were shady and comfortable, with café terraces and the casual comforts of life--an optician where I could actually buy contact lens solution, for example! Under the cool sycamores, we were able to ask for information in English, and got information! Encouraged, we stopped in a travel agency and asked if anyone spoke English. After a phone call, two very young women appeared who told us they were the directors of premium-level tours, one in shorts and the one talkative with a broad smile. They led us up dark stairs to an office of young women and stuffed animals and toys and they offered us a tour to Suzhou for one day. They said they wouldn't give an estimate up front. Instead, they hemmed and hawed about revealing their price, which finally came to 1800 yuan, about 30 times (at least) the price of a Chinese tour. We played along but clearly saw where destiny lay---we would become Chinese tourists.
Pricey pets of Xitang |
And then we were driving past endless developments on one side, low industrial networks of wires and factories on the other. There were gold mosque-like domes mixed in the low haze with drab high rises. Broad catalpa leaves reached over the highway. The tour guide was rapidly delivering a great deal of information in Chinese. But it was nice to be on the road.
Streets of Xitang |
There were marvelous fresh cooked cabbages and hot spicy eggplant, and Jacques shoveled everything he could into his mouth. The note seems to somehow break the ice--the tour guide became personable after I had shown her the Chinese note. (Perhaps it explains that I am not really stupid or snobbish but actually completely helpless with the Chinese language--please be kind.) Then we climbed into the van (which says "One Day Shanghai Tours" in English).
Xitang, we somehow gathered, is a 1,000 year old village preserved within a hellish rash of development and an overheated Asian strip mall city. The origins of the Xitang lay in the 8th c. BC, because of its strategic location on the waters, but the oldest existing buildings were from the Ming and Qing dynasties. Entering the majestic gates of water animals we took a little junk (with bright life preservers strapped around us), propelled by a short thick man using much the technique as the gondoliers of Venice, through renovated Chinese eaved buildings inclining over the opaque waters, and round bridges at regular intervals that seemed fairly new, of stone or concrete As he rotated the oar we entered the village, old and decaying white buildings with Ming woodwork.
A hotel room in Xitang |
Almost immediately when I noticed my iPhone had come to life and I was sending an email to my family, Jacques stomped off, leaving me in a labyrinth of non-English speaking centuries-old alleyways. I went into a charming shop and bought a lovely rustic chemise for the equivalent of $18. After half an hour of wandering among roosters and dogs in a quiet section where old people cooked over open fires-- no English speakers to be found-- we spotted each other. Then we took in the official sites.
The West Garden was an old palace used by a 20th c. scholar as a retreat, now dusty and sad, displaying jade seals in dim rooms over rock gardens. The Root Carving Museum had enormous monstrous creations of carved roots, conglomerates of dragons, apes in jungles, lions, thrones -- ingenious carvings of roots utilizing their surrounding medium of rock or concrete. A hundred meters away was a torrid strip mall. But in the idyllic quaint village ladies knitted baby booties and no one flinched at the tourists crawling all over their town, for the tourists had made them rich.
We bargained for a bamboo painting of a tiger (hand-painted, he said - I saw an identical one at the exit gate). The Drunk Garden was smaller and more charming - or was it just empty of tourists? We explored side streets where hotels where starting to occupy ruined alleys, with giant wood-carved beds. Art students were making rather uninspired water colors of the canal which, for all its features, lacked charm--at least on that day-- because of the dull yellowed air of nearby industry, which cast everything in dispirited browns.
At the exit there was a last temple, to the grain god, a kind fonctionnaire who had been executed for his troubles--he had given people grain when they were starving. A pretty Chinese girl with a broad, lazy smile and floppy silken hair gave us incense sticks and I bowed before the fierce-faced "god." "Very good," she smiled and brought us before a Maitreya where a monk bade us to our knees and beat a gong to orchestrate our prostrations. "Same family?" he asked, and seated Jacques before a monk with account books, who bade me stand with my hands folded.
This "notary monk" looked at Jacques' palms (very good! he said) and folded them around a cellophane of a silk pocket and han, the Chinese coin with its square center. He chanted something over Jacques' folded hands, then slipped a jade bracelet over my wrist. He had Jacques write his name and country (usually Jacques makes up a name, but not this time) and tben demanded, "100 yuan" and Jacques promptly coughed it up.
Amazing. Half the price of the Tibetan tea that we have spent the trip scorning. Then we were shown the way out.
"The Senegalese outside the Louvre could take a leaf from their book" was Jacques' only comment. (Jacques has been waging war against the scam that some French Africans are pulling at the gates of the Louvre, claiming the money is for African children. Jacques has asked them for their credentials and called the police, to no avail.)
And then we rode back in rush hour traffic past fields mixed with bulldozed rubble, past rough workers in the backs of trucks, and the cargo of gigantic pigs, sitting up intelligently, observing the road leading them to their doom.
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