Sunrise over the ocean, matchless brilliance over rippling blue waters. Birds twitter in high pines and palms, sun's piercing glare on the mighty waters. But we only sojourn on the Costa del Sol, we are interested in an older Andalucia.
Malaga is Andalucia's second largest city and its white sprawl, among purple mountains, has a somewhat industrial feel. Yet the old city, like all the Mediterranean settlements we visit, has seen the succession of Phoenicians, Carthaginians and Romans, Wisigoths then Arabs, the Byzantium of the East and then Western powers--they have all owned this spot. It is still marked with delicate minarets and beaux arts mansions, while an ungraceful ocean liner sits in the harbor.
Roman theatre beneath Arab fortress |
The old city center is
graceful during the passagiata, the evening hours of strolling the
stone streets. At a bar a group of Spanish men break into song,
joined by other men walking down the street. A little table sits on
the plaza for tarot readings. We went into the Cathedral during Mass.
Inside it is like a mighty city of an elaborate stone fabric
covering every surface with monumental hubris that rises high into a
confection of a dome. As a priest intoned prayers, we left to
circle the outside which seems to be various monumental cathedrals
clustered together, so elaborate is each aspect. An old man played
violin in the dusk, his daughter accompanying him. Later we took the
audioguide tour of the Cathedral. A few beggars crouched outside
while we paid our 5 euros and then listened to sometimes numbing
detail on the artistry of the Cathedral. The massive interior has
stone carved domes 40 meters high, creating a lacy ceiling, enormous
altars and a gleaming high altar all filled with pomp and pious,
didactic symbolism. The many chapels hold mostly dressed Madonnas and
gaunt statues of Christ. The last is called the Chapel of the
Fallen, for the thousand bodies from the Spanish Civil War that lie
beneath.
But the grandeur became
ponderous and we escaped thru the gardens, some left over from the
Arabs, and at length found our way to the high fortress, Gibralfaro.
Extensively reconstructed in its angular labyrinthine walls, steps
ascending and descending to plazas of artfully laid brick and black
and white mosaics, it is less alluring than the lower Alcazar's
gardens and fountains. Placards told of the plethora of gardens the
Spaniards had encountered in 1492 (and the pain for the Arabs on
leaving Al Andalus behind, forever). Jasmine, figs, citrus trees,
date palms and other palms for weaving baskets, oleander and
medicinal plants, cypresses, olives, and vineyards tumbled over the
walls and between the walls (beneath which sinful Arabs reclined),
astounding the Spaniards. An Exhibition hall showed the costumes and
arms of 15th-19th c Spanish soldiers who had inherited this beautiful
site from the fleeing Arabs. A French family moved near us, a silent
girl, thin and hesitant, who smiled with a sweet dreaminess when she
sat alone, but moved hesitantly with her parents who only light
acknowledged her or touched her. Perhaps she was autistic. The
staff of the Gibralfaro were handicapped, and startled us with their
sweet, fragile innocence.
On our return we discovered
in the far reaches of Benalmaden a Tibetan Stupa, gleaming white,
topped with gold, truly a spaceship to heaven. It reverberated with
a lofty feeling, its interior painted in pastel murals, a strange
inspired presence near a kitsch Thai butterfly zoo. The vibration
was extraordinary. (My iPhone battery was suddenly drained.) The
Buddha-being was slender with an intense seriousness.
As we pulled up behind the
hotel, by the rough Mediterranean, a group of young people stood in
the dark wind drinking from paper cups. The woman had a scarf
covering her hair--they were Arabs, enjoying their clandestine
drinks.
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